劳司蕊

1：图腾 - The Totem
-时间：2021.10
-材料：综合材料
-作品介绍：
剖析与重塑宗教的合成因素，从起源，神话，特定物质与条件方面，拼凑出一个反佛教反舆论式，崇拜性快感的宗教。我意识到所有的媒介都是中转站。 人不能跨越人与神之间的鸿沟(精神上的距离)。 为了安抚人们，并试图证明上帝的存在，媒体被发明出来，并开始在宗教系统中发挥作用(如佛像)。 

I analyzed religion in all its aspects and made up a new religion. I realized that all mediums are transit points. People cannot cross the chasm (spiritual distance) between humans and God. Mediums were invented to conciliate people and prove that God does exist and began to play a role in religious systems (e.g. Buddha statues).

2：循环的王座 - The Throne of Circulation
-时间：2021.8-9.
-材料：综合材料。
-作品介绍：
同为人类，我们的肉体相同，身外之物却决定着处境。无法避免的，人类对繁荣的追求是一个循环，我们无处可逃。 一方面这把椅子是人类的形象，另一方面是人类的一首悲歌。权力和地位的本质是没有变化的。 改变的只是拥有它的人。
As human beings, we have the same body, but what is outside the body determines the condition of our life. Inevitably，humanity's pursuit of prosperity is a cycle from which we have nowhere to escape. This chair is an image of humanity; it is also a sad song of humanity. What is unchanged is the nature of power and status, while what changes are only the person who possesses it.